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Around the Coyote Supports Emerging Chicago Artists


Around the Coyote
2006 Reading Series

First Words
Six Seconds in Charlack
Reagan's Children: An Opear-Oratorio
White Devil
Florida Styxs
Narcissus Shrugged
reading series at around the coyote
October 2007, RE:Action Reading Series

FIRST WORDS
Saturday, November 18, 2006 at 7pm
$5 suggested donation
a discussion with the playwrights, actors and directors to follow

Around the Coyote is excited to present the first public reading of a compelling new play, First Words , written by one of Chicago's most interesting playwrights, Aaron Carter , and directed by Zach Zulauf , as part of our monthly Reading Series. This debut will serve as a sort of workshopoan opportunity for the director and playwright to hear the play's content out loud with an audience present. The reading will be immediately followed by a panel discussion involving the director, playwright, readers, and audience. This discussion offers the audience a rare opportunity to offer feedback and criticism, and to be involved in the dynamic creative process of a theatrical production. Please join us for this wonderful evening of live theatre, discussion, and critique.

The play, First Words is a piece that explores the power that hope places on our perception of reality. Hope, for example, can allow us to persevere against all odds, but also blind us to import ant truths. In First Words , this power of hope plays an important roleoit will either save or destroy a family raising an autistic child. In the play, a mother, Barbara, desperately wants to communicate with her autistic son, Aiden. Her husband, Paul, however, refuses to allow their already struggling family to waste any more time and money on experimental therapies. But when a new therapy promises to grant her wish, Barbara becomes swept away with the hope it brings for a new and intimate relationship with her son. Ultimately, the validity of the therapy is called into question, and Barbara must choose between communication with Aiden, and keeping her family together.

Zach Zulauf (Director) is a Seattle native with a degree in Theatre Studies from the Theatre School at DePaul.  Prior directing work includes Two Dudes at Once by Wayne Rawley and Hungry by Tim Sanders for Annex Theatre in Seattle, Come on Down by Chris Haddad for Last in Line Productions, and Nicky Silver's Raised in Captivity at Boston University. Zach recently assisted Julieanne Ehre on Greasy Joan & Co.'s Rhino Fest production of Come and Go and Footfalls by Samuel Beckett and Andrea J. Dymond on I Have Before Me a Remarkable Document Given to Me by a Young Lady from Rwanda  by Sonja Linden for Victory Gardens Theatre. Assistant Directing Work at The Theatre School at DePaul includes work for Dexter Bullard on Dylan Thomas' Under Milk Wood  and work for Carlos Murillo on David Edgar's Pentecost . Zach is the Executive Director of Empiric Theatre Works and a staff member at Victory Gardens.

Aaron Carter (Playwright) Aaron's play Panther Burn is currently running at the Greenhouse at Victory Gardens. His play Evening News was a finalist for the 2005 Heideman Award at Actor's Theater of Louisville. Recently his short play Kegger appeared in Collaboraction's Sketchbook 2006. Aaron's recent plays also include Swamp Baby and Nicodemas. He is a recipient of the 2004 Ohio University Scott McPherson Playwriting award, and was a finalist in both 2000 and 2002 in Prop Theater's New Play Festival. His play If Condition was read at a Victory Gardens showcase in June 2005. This spring, Aaron will be a Writer-In-Residence at Grinnell College. Aaron is working on a new play Iowa Akhbar, which will be read at Grinnell College during his residency.


SIX SECONDS IN CHARLACK
Saturday, July 29, 2006 at 7pm
$5 suggested donation
a discussion with the playwrights, actors and directors to follow


written by Brian Golden

Six Seconds in Charlack is a story about the improbability of love told through the eyes of a young lawyer named Bard, his earnest girlfriend Penny, and Bard's mysterious friend Candy. At the play's outset, Bard and Penny are happily cruising toward marriage. But as Candy's presence in Bard's life grows larger and larger, all three characters are forced to make difficult decisions about their futures, both together and apart. Charlack is a play about both running from and trying to remember the person you used to be, and how decisions made in an instant really can change a life.

Margot Bordelon is a director and dramaturg who has a strong interest in new work. Chicago directing credits include Plants and Animals for Bailiwick's Director's Fest, Scarrie! the Musical for Hell in a Handbag and Scrabble Yew Near for Appetite Theatre. She spent June in New York participating in the Lincoln Center 's Director's Lab. Upcoming projects include Ball by Brian Lobel for Bailiwick Theatre and The Perks of Nudity by David Perez for Pavement Group. She is a founding member and Literary Manager of Theatre Seven in Chicago.

Brian Golden is a director and playwright, a founding member and the current Artistic Director of Theatre Seven in Chicago . Brian's plays Six Seconds in Charlack and Burying Miss America have both been workshopped by Liz Engelman at the A.E. Hotchner Playwriting Festival. Next week, Brian's play Fragments will open at Collaboraction's Sketchbook VI. Brian is a winner of the Leota Diesel Ashton Playwriting Prize, the John J. Jutkowitz Award in the Performing Arts, and a two-time winner of the A.E. Hotchner Playwriting Contest. He has also directed at St. Louis Rep, Speaking Ring, Pure Theatre Charleston, CuriouslyStrong, Cast n' Crew, Abbie Hoffman Festival and Theatre Seven.


REAGAN'S CHILDREN: AN OPERA-ORATORIO
Monday, June 12, 2006 at 7:30pm

Around the Coyote's Reading Series and Chicago Opera Vanguard present a benefit preview of Reagan's Children: An Opera-Oratorio by local composer Eric Reda on Monday June 12, 2006. This casual private event commences with a 7:30pm wine reception, followed by an 8:30pm performance of the opera-oratorio's middle section in a reduced orchestration, at the Around the Coyote Gallery, 1935 1/2 W North Ave, in Chicago's Wicker Park neighborhood.

Taking to heart former Congresswoman Patricia Schroeder's assertion that Ronald Reagan was "everybody's grandfather," Reagan's Children: An Opera-Oratorio is a meditation on death, family, and memory as examined through the lens of generation.

"I am so excited to present a sneak peak of this opera nearly two years to the day after the events on which it is based," said composer Eric Reda. "Regardless of one's political leanings, it is hard to escape the cult of personality surrounding late President Ronald Reagan. I cannot think of a better catalyst for examining the complexities of family dynamics and the questions that we are all left with after the death of a father."

Scored for four soloists, one treble, 16-voice male choir, three pianos, and string quartet, the piece sets to music the eulogies presented at Ronald Reagan's June 10, 2004 interment ceremony by his three living children, along with sections of the requiem text, patriotic standards, and Tennyson's poem "Crossing the Bar." For the June 12 event, the opera-oratorio's 30-middle section will be presented in a reduced orchestration for four soloists, piano four-hands, and cello.

Composer Eric Reda, studied music composition at Arizona State University with composers Chinary Ung, James DeMars, Randall Shinn, and Rodney Rogers. Theatrically, he has worked with the Goodman Theatre, About Face Theatre, Stage Left Theatre, Around the Coyote, New Theatre Collective, Arizona Theatre Company, Mid-Summer Macon, and the Scottsdale Kerr Cultural Center . As well, he participated in the West-Coast premiere of performance artist Meredith Monk and visual artist Ann Hamiton's music-theatre piece, Mercy , and with choreographer Pina Bauch on the American premiere of her epic music-theatre piece, Nur Du .

Under the able baton of music director Doug Peck, the talented cast for this benefit performance includes soprano Rebecca Prescott as the late Maureen Regan, mezzo-soprano Joanna Wernette as Patti Davis, tenor Garrett Johansen as Ronald Prescott Reagan, and baritone Michael Hoag as Michael Reagan. Additional musicians for the event are pianists and cellists. Musical support for this event is provided by the Fifth House Ensemble.

Reagan's Children: An Opera-Oratorio is the first in a trilogy of operas with music by Eric Reda in development by Chicago Opera Vanguard. All three pieces, the second and third with librettos by playwright Philip Dawkins, explore modern American patriarchs and the legacy that they have either intentionally or unintentionally created.

Employing the structure, daring, and esthetic of an off-Loop theatre, Chicago Opera Vanguard is dedicated to creating Chicago's foremost home for engaging new opera by commissioning new works, giving a second-voice to daring music-theatre pieces, and by completely remaining operatic favorites.

Fifth House Ensemble seeks to widen the scope of the chamber music art form by creating performances that are accessible to audiences not normally reached by classical music and by creating new connections between chamber music and other musical, visual and performance art. Fifth House's goal is to encourage interaction between listener and artist while performing chamber music at the highest possible artistic level.

Admission to this event is free, however space is limited. For more information, please visit reagan.4ringcircus.net, or call 773.520.7332. This project is partially supported by a Community Arts Assistance Program grant from the City of Chicago Department of Cultural Affairs and the Illinois Arts Council, a state agency. Additional support for this event provided by T's Bar and Restaurant ( www.tsbarchicago.com ). Raffle items for the event have graciously been provided by Dan Crowley Studio.


WHITE DEVIL
May, 2006

Performers: Eve Rounds, Isaiah Brooms, Kevin Viol, Ryan McClelland, Cynthia Castiglione, Star Velasquez, Margaret Lakin.

Gregory Hardigan (Playwright, Director) is an actor, writer and director living in Chicago. He is a member of the Hypocrites Theatre Company, and has appeared in nearly a dozen of their productions. As a playwright, Gregory's work has been produced in Chicago (Chicago Dramatists, Stage Left, Abbie Hoffman Festival, Around the Coyote, Collaboraction's Sketchbook) Boston, D.C., New York, Melbourne, Sydney and London. He also runs a company called American Myth Theatre through which he has directed a lot of his work, including a production of Tens and Twenties for the 2004 New York International Fringe Festival.


FLORIDA STYXS
March 25, 2006 at 7:30pm
$5 suggested donation

Directed by Erica Weiss, Produced in association with HYPATIA THEATRE COMPANY

In this story of very disappointing children, Jordan contends with her mother, dying grandmother, and her own questionable sanity. Confronting death, the first man in her life, and pesky birds on her roof, she must decide how far she is willing to go for departure and flight.

Caitlin Montanye Parrish earned critical acclaim as the winner of the National Young Playwrights Festival, founded by Stephen Sondheim. Her first full-length play, The View from Tall, ran off-Broadway at the famed Cherry Lane   Theatre in January 2004 to rave reviews from Variety Magazine and The New York Times. Ms. Parrish's short plays have been seen at Chicago Dramatists Theatre, the Chicago Winter Arts Festival, and The Theatre School at DePaul University . The View from Tall also had its regional premiere recently in a workshop at Maine 's Portland Stage, and is currently being optioned for a full New York run. Her new play, Echo Boom, will be produced at the Athenaeum in April, directed by Robert O'Hara. She is also one of the co-founders of Hypatia Theatre Company, whose next project will be her play Florida Styx at PROP THTR in July.

Erica L. Weiss is the founding Artistic Director of Hypatia Theatre Company, where she directed their debut production of "Red Georgia Clay" by co-founder Caitlin Montanye Parrish. She was recently the assistant to Director Dexter Bullard on Northlight Theatre's critically acclaimed "Grace". Erica is a candidate for the Theatre Communications Group New Artistic Leaders Program  for a Mentorship at American Theater Company, where she last assisted Artistic Director Damon Kiely on the Midwest premiere of "Kid-Simple" by Jordan Harrison. This summer, she directs Hypatia's World Premiere of "Florida Styx" as the feature production of PROP THTR's New Play Festival.

Hypatia Theatre Company: Hypatia of Alexandria was a pagan, a scholar, and a female intellectual who was brutally murdered by a Christian mob in 415 A.D. Her name has come to mean "a woman of superior intellect." In that same spirit, Hypatia Theatre Company produces new plays that foster complex and dynamic roles for women--both on and offstage. We make theatre that challenges the status quo, asks difficult questions, and may arouse the ire of a Christian mob.


NARCISSUS SHRUGGED
February 25, 2006 at 7:30pm
$5 suggested donation
written by Phillip Dawkins and Directed by Eric Reda

The play selected for the first installment of our Reading Series is Narcissus Shrugged, written by Phillip Dawkins and directed by Eric Reda. When the death of internationally renowned mystery novelist, Samuel Everett Stipp, is reported in The Times , it comes as a surprise to everyone except Samuel.  Tired of having to deal with life and its banality, Samuel fakes his own death simply by announcing it to the press.  Wishing for nothing more than to be left alone to live out the rest of his death in peace, Sam's home is suddenly stormed by his two ex-wives, collegiate daughter, and finicky butler.  First wife and current Republican matriarch, Sissy Savage, seems to have rediscovered her affinity for both Sam and a good bottle of scotch.  Second wife, B-movie queen, Penelope Cricket, has brought all eleven of her past selves and seven miniature greyhounds to cheer up her ilatei ex husband.  In a biting comedy of wit and cynicism, Narcissus Shrugged examines just what life is worth living for, and how to make good on second, third, and fourth chances.

Philip Dawkins (Playwright) is a graduate of Loyola University, Chicago with degrees in Theatre and Math. Philip comes from Phoenix , Arizona , where he co-wrote and directed the children's musical, Giants, Jokers, and Jacks: A Beanstalk Blockbuster , with David Wo at Theatre Works. In the fall of 2001, Philip's play, Not Even the Children , was produced on Loyola's mainstage and was selected to perform at the American College Theatre Festival in Indiana. The script itself was awarded National Honorable Mention. Philip is a Fellow of the Hawthornden Castle International Retreat for Writers in Scotland. While a guest at Hawthornden Castle, Philip wrote The Involuntary Side Effect of Living , which received two Equity readings at Seanachai Theatre Company in Chicago. Philip's play, The Man With A Shattered World , was commissioned and performed by Ethington Theatre in Arizona as part of their 2004-2005 season.  Philip has also received another commission from Ethington Theatre to be performed in the fall of 2006. The Day After Yesterday was a winner of the First Annual Metropolis Centre For The Performing Arts New Plays Contest and received it's world premier run at T.U.T.A Company in Chicago , under the title A Still Life in Color . In October 2004, Philip was a participating artist in the Victory Gardens Art of Citizenship Event. Philip's one act comedy, Ugly Baby or 564 Things To Do With A Peanut , was produced by the Around the Coyote Winter Arts Festival in February 2005.  In September, Ugly Baby was remounted by ATC with its new companion piece, Bedfellas . Philip's extreme short, The Outline , was produced in June 2205 by Collaboraction as part of Sketchbook5, and his sketch, Immediate Family , was included in Strawdog Theatre's Wireless Program IV.  In November 2005, a selection from his Children's play, The Super Duper Second Grade Detective Squad , received a staged reading at Chicago Dramatists as a winner of their Ten Minute Play Contest.  His play, Can I Get a Witness!? , is currently being workshopped by the New Theatrical Collective. Philip is an Artistic Associate at Chicago Dramatists, through which he teaches playwriting at numerous Chicago schools.  He has also taught drama at The Evanston Arts Camp.

Eric C. Reda (Director) Directing credits include: Turn of the Screw adapted by Jeffrey Hatcher - Midsummer Macon, Macon GA; Ugly Baby or 564 Things to do with a Peanut by Philip Dawkins [World Premiere] and Prized Possessions by Jennifer Connell [World Premiere] - Around the Coyote Festival; Lost Sheep by Joseph Fedorko [World Premiere] and  CAPITALIZATION by Mark Novak [World Premiere] - Stage Left Theatre; The Impresario by Mozart - Kerr Cultural Center, Scottsdale AZ; L'Enfant et les Sortileges by Ravel - Arizona State University Lyric Opera Theatre, Tempe, AZ. Eric's play Equinox was seen in a workshop at the Bailiwick Theatre and as a reading at the American Theatre Company. Equinox is currently in post-production as a feature film produced by Chicago's New Theatrical Collective. Eric studied music composition at Arizona State University and is currently working on the opera-oratorio Reagan's Children .